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The exceptions to this are characters mainly shown shown in flashbacks: the maids and a brief character called Emily.
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Every character no matter the amount of screen time they get, are awfully likable, the Oiwa family is fun to watch while they had the spotlight, Sayaka, who briefly appears as an adventurous and curious girl, is pleasant to see on screen, Anna and Marnie share a lot of sweet and cute moments, each one leaving you with a big smile on your face. If I have to describe this film in one word, it would be 'sweet.' That's it. Even the credits song interestingly sung and written in English is practically created just to give you nostalgic feelings and tender melancholy. And this basically sums up the music of this film: simple, beautiful and absolutely nostalgic: it is able to etch itself into your brain without the brute force of brass and percussion, relying mainly on tender piano and woodwind solos and a warm strings section. Anyone who can survive these 7 simple notes must have a brick for a heart. The second phrase of this theme takes the form of a 7 note motif, with the first note jumping almost an octave apart to the second before sliding down with the following 5 notes: vintage nostalgic and beautiful writing.
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Anna's theme definitely the most memorable theme of the film is written sorely for tear-jerking.
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I find it intriguing that Marnie's theme was hinted at the beginning, even before the appearance of Marnie, taking its full form about half way into the film, but was never given a full fanfare moment: its a tender woodwind led melody that usually takes the form of a bittersweet waltz, its really quite beautiful to see our two main characters dance to it. The feelings to dread, loneliness and the atmospheric feelings when Anna was exploring the marshes. I think this film has mastered musically silent perfectly contrasting them with scenes where the music takes the reins. But even I must admit: The music is the hero in this film, its by far the loudest sound maker in the film, as the strings overwhelms you while the subdued virtual camera pans across typically well-produced Ghibli background art with a bit of light sound effects. OK, first of all, I don't know what films she has being watching before this, because pretty much every film I watched with a decent score had music I can remember.
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I THINK the moments when I was walking out the door after the movie defined what I felt about the film: I overheard a teenage girl saying: 'Don't know about you, but I never noticed violin music in films before this.' Then she proceeds to hum Anna's theme out loud.note by note. Given the fact that many Ghibli DVDs and Blu-rays are still quite pricey to buy, there are going to be a lot of happy Netflix customers.This film has the honour of being the first anime film that I experienced on the big screen. Last year it was announced that Ghibli films would be available for digital rental in the United States via HBO’s GKIDS service, and digital purchase via a host of streaming platforms, but this is the first time their films have been available online for most of the world. One notable omission from the selection is Grave of the Fireflies, but it’s hard to argue that this isn’t still a pretty impressive line-up. Then on 1 April, Pom Poko, Whisper of the Heart, Howl’s Moving Castle, Ponyo, From Up on Poppy Hill, The Wind Rises, and When Marnie Was There will round out the mammoth selection. On 1 March, Nausicaä of the Valley of the Wind, Princess Mononoke, My Neighbors the Yamadas, Spirited Away, The Cat Returns, Arrietty and The Tale of The Princess Kaguya arrive. So what’s included? Well, from 1 February you’ll be able to enjoy the company’s first film Castle in the Sky, classics My Neighbour Totoro and Kiki’s Delivery Service, as well as Only Yesterday, Porco Rosso, Ocean Waves and Tales from Earthsea.